THE REVIEWS ARE IN!

PRAISE FOR MADELEINE

 “For those of us New Yorkers who dream of seeing all the American operas the indefatigable Giulio Gatti-Casazza put on at the Old Met, this very well-prepared staging of Madeleine by the Victor Herbert Renaissance Project at the acoustically flattering Christ and St. Stephen’s Church on March 3 proved a tonic.”

DAVID SHENGOLD, Opera Magazine, UK
Read the complete review HERE

CRITICAL PRAISE FOR ANGELINE & HER TATTOOED MAN

“Solid craftsmanship and real comic flair.
The 11 singers were well chosen with the requisite Herbert style down to their fingertips. Everyone was off book, and the evening was expertly staged and delightfully choreographed.”

HARRY FORBES, Forbes on Film and Footlights
Read the complete review on www.HarryForbes.com

“Herbert’s music was played with a light, lively touch and the singers appeared to be having a grand time. And of course, the audience did as well. No one knows exactly what performances over a century ago looked like, yet everything about this production felt right, just the way we imagined it.”

MECHE KROOP, Voce di Meche
Read the complete review on www.VocheDeMeche.com

“You might say: wow, the Americans are catching on! The announcement of the concert Angeline And Her Tattooed Man is easily the sexiest we’ve seen for such an undertaking in the USA in a very long time, certainly where Victor Herbert is concerned.”

OPERETTA RESEARCH CENTER, The #1 Archive for Musical Theater
Read the complete post on www.operettaresearchcenter.org