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The Serenade 1897 HD

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See and Hear the VHRP LIVE’s production of Victor Herbert’s 1897 The Serenade on your computer no matter where you reside in the world.

Here is a Preview of VHRP LIVE’s production of Victor Herbert’s 1897 The Serenade:
[pl_video type=”youtube” id=”toqjZYlu5TQ”]

SEE The Entire Full 2 Hour production of Victor Herbert’s 1897 The Serenade ..
$5.00 allows you to view the entire event (2 hrs) as often as you like over a 48 hour window.
Use either a major credit card or your PayPal acount to obtain a pay-per-view user name and password.

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Natoma

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Why Restore A Grand Opera Called Natoma How Did We Actually Restore Natoma?

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Why Restore A Grand Opera Called Natoma?

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Publisher Alyce Mott of VHSource, LLC, a source of original digital performance materials for Victor Herbert, was first made aware of the Victor Herbert grand opera Natoma when Glen W. Clugston invited her and her creative partner, conductor Dino Anagnost of the Little Orchestra Society of New York,  to hear a final dress rehearsal for […]

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How Did We Actually Restore Natoma?

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Publisher Alyce Mott of VHSource, LLC, a source of original digital performance materials for Victor Herbert, was first made aware of the Victor Herbert grand opera Natoma when Glen W. Clugston invited her and her creative partner, conductor Dino Anagnost of the Little Orchestra Society of New York,  to hear a final dress rehearsal for […]

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Natoma Reading Details!

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 Victor Herbert’s 1911 Grand Opera Natoma first time in a full century! Join us for a Reading of the Entire Opera w/full orchestra Sunday, July 13th, 2pm DiMenna Center for Classical Music Mary Flagler Cary Hall 450 W. 37th Street, Lower Level New York, NY 10018 only 50 seats (no cost) left! send your request […]

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Natoma: Why Restore Herbert’s Grand Opera ?

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When one deals with “old” material, especially, when by all review accounts, material not well received by the press in 1911, it is a viable question to ask – why would you take the time and effort to restore the performance materials? Obviously the press knew what was good and what was not – a […]

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